it can be worse too.I’m not in front of my computer at the monment so I might get some of the details wrong. I used the Bösendorfer, as I regarded this is the best starting point. The Steinway is much more open in the top, which is nice for a lot of things, I guess, but not for what I aimed for this time. I turned off TG’s built in reverb and EQ. I now found this video that describes the technique I used: Honestly, I couldn’t hear any difference between Player and Close view and ended up using Close (me think). In addition to what’s shown in the video, I used a second group channel to which I sent the output of both the dry TG3 and the compressed signal, enabling me to control the overall volume sent to the main stereo out with one fader. On this “summing” channel I added the send reverbs. This is not an exact science and I didn’t tweak it to perfection, so don’t have the exact numbers. Anyway, on the group track, where the compression took place, I used the following inserts:įabfilter Pro-C compressor (radical settings: low threshold and high ratio, fast attack, release time set to auto).
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